Art style: black-and-white film noir, soft diffused overcast light, silver halftones, natural skin and wet-stone texture, delicate film grain. Full-length view, the entire figure visible from head to feet, standing upright, figure centered. Hannah, widow of Danny Radshaw — a woman in her early thirties with a beautiful, soft, still-living face, not gaunt, faint delicate shadows beneath her eyes hinting at grief and sleeplessness. Pale fair complexion, subtly slender pointed ears marking her as half-elven, a quiet detail rather than a feature. Dark brown hair gathered into a simple low ponytail, loose stray strands framing her face. She wears a plain dark mourning dress of strict severe cut, long sleeves, high modest neckline, falling past the knee, cinched gently at the waist; dark low heeled closed shoes. Slim upright posture, hands clasped before her, head slightly bowed, lips pressed, eyes lowered in subdued restrained sorrow. Overcast cemetery behind her, bare trees, weathered gravestones, soft diffused grey light, faint cold wind stirring her hem. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image entirely in "black-and-white film noir, soft diffused overcast light, silver halftones, natural skin and wet-stone texture, delicate film grain" style. Match the lighting grammar, material response, colour science, level of realism / stylisation, line weight, and shading model typical of "black-and-white film noir, soft diffused overcast light, silver halftones, natural skin and wet-stone texture, delicate film grain". Keep the subject, composition, camera angle, lighting direction, and colour palette from the description above — but EVERY surface, skin, fabric, material, and environmental element must be rendered in the "black-and-white film noir, soft diffused overcast light, silver halftones, natural skin and wet-stone texture, delicate film grain" idiom, not in any other medium.
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