Image - 2026-10-14 10:56

A polished studio concept art board — a single composite page that reads as a high-end pre-production pitch deck for an animated short. NOT a vintage pencil sketch, NOT a finished movie frame, but a polished concept page in the visual treatment described below. Layout: TOP HEADER (left): bold modern display typography for the title "Сними мини сериал в полном реализме, на 10 минут по 10 серий. В стиле 1980-х в шикарных локациях....", with a small stylised glyph next to it (sparkle, comet, or motif matching the visual treatment). Below in smaller crisp print: "OPENING SEQUENCE • DRAFT • 1980-Х". TOP HEADER (right): a tidy "CHARACTER LINEUP" sub-heading set in the same typography. CENTER GRID: 61 numbered storyboard panels in a 4-column grid. Each panel is a softly rounded card with a thin warm-grey border and a delicate drop shadow (studio pre-prod board look). Inside every panel: a finished miniature of the action — rendered in the visual treatment described below. Top-left of each panel a small bold numbered tab (01, 02, 03…) and bottom-right an "X.Xs" timing tab — both set in clean modern typography (NOT hand-lettering). Panels: Panel 01 (10s): Wide sunset-lit marble hall, panoramic windows on the bay; Julian at frame left, mid-stride, hands empty, sunglasses on. Panel 02 (10s): Medium, marble column, sunset window light; Julian walking in from left, Elena half behind column, brown leather case in her right hand. Panel 03 (9s): Medium two-shot at the column; Elena holds the case in her right hand, Julian faces her. Panel 04 (9s): Wide main hall arch; exactly two bodyguards in grey suits walking in, Uzis lowered; Julian and Elena small at frame right walking away. Panel 05 (10s): Medium, marble hall, Julian running with Elena behind him, case in her right hand; two guards in grey stand far back, Uzis raised. Panel 06 (6s): Medium side angle, closed glass double door; Julian running at it, Elena two steps behind with the case. Panel 07 (14s): Wide front entrance at sunset, white stucco, potted palms; Julian and Elena on the top step running, case in her right hand. Panel 08 (14s): Driveway with fountain; exactly one white Ferrari Testarossa parked, doors closed; Julian and Elena running in from right. Panel 09 (10s): Medium inside Ferrari, Julian at the wheel, key in ignition, Elena in passenger seat holding the case. Panel 10 (10s): Wide driveway, white Ferrari idling by the fountain, tires smoking; wrought-iron gates closed in the distance. Panel 11 (5s): Side angle, closed wrought-iron gates; white Ferrari entering frame at speed. Panel 12 (10s): Bent gates hanging open; white Ferrari passing through them. Panel 13 (14s): Night Ocean Drive, neon hotel signs, palms; white Ferrari mid-lane moving fast. Panel 14 (14s): Rear view, Ferrari in foreground; exactly two pairs of headlights far behind. Panel 15 (10s): Lead black sedan behind the Ferrari, passenger window down, a gunman in grey leaning out. Panel 16 (10s): Medium in Ferrari: Elena twisting to look back, case on her lap; Julian driving. Panel 17 (10s): Medium in Ferrari, Julian with both hands on the wheel, Elena beside him. Panel 18 (10s): Medium, Elena steering, Julian's right hand at his jacket. Panel 19 (8s): Julian half out of the window, Colt aimed at the lead sedan behind. Panel 20 (8s): Black sedan behind, steam pouring from the grille. Panel 21 (5s): Side angle, lamppost on curb, sliding black sedan. Panel 22 (8s): Crumpled sedan at a bent lamppost, sparks falling. Panel 23 (10s): Medium in Ferrari, Julian leaning out holding the Colt, Elena steering. Panel 24 (14s): Night bridge, lamp rows, white Ferrari entering frame at speed. Panel 25 (10s): Ferrari headlights on the bridge; empty lanes ahead. Panel 26 (10s): Medium, Julian at the wheel, Elena gripping the case. Panel 27 (5s): High angle, sideways sedan, Ferrari approaching. Panel 28 (8s): Ferrari beginning to rotate past the shoved sedan. Panel 29 (5s): Side angle, intact wooden parapet, Ferrari sliding in. Panel 30 (11s): Lower marina pier at night, boats moored; Ferrari falling from above. Panel 31 (10s): Medium inside the dented Ferrari, Julian shoving the door, Elena holding the case. Panel 32 (14s): Ferrari door open, Julian climbing out, Elena inside with the case. Panel 33 (10s): Pier, Julian and Elena by the car; dark sky. Panel 34 (10s): Medium, Elena lit by the beam, case in her right hand, Julian beside her. Panel 35 (14s): Wide pier awning, Julian and Elena running in. Panel 36 (8s): Low angle, planks, running feet. Panel 37 (10s): Medium at closed boathouse door marked 3. Panel 38 (14s): Hangar under lamps, exactly one ivory Goose on the slipway, wooden water gates closed. Panel 39 (10s): Medium cockpit, Julian's hands on the switches. Panel 40 (10s): Steel hangar door, Elena holding a crowbar, case at her feet. Panel 41 (14s): Elena at the gate chain, case in her left hand. Panel 42 (10s): Medium cockpit window, Julian leaning out. Panel 43 (10s): Elena at the plane steps with the case. Panel 44 (8s): Goose on slipway, props spinning. Panel 45 (5s): Side angle, jammed gates, nose approaching. Panel 46 (8s): Goose exiting through splinters. Panel 47 (14s): Night bay, Goose skimming. Panel 48 (8s): Goose on water. Panel 49 (10s): Medium helicopter door, Hector with machine gun and microphone. Panel 50 (8s): Goose racing, water calm. Panel 51 (10s): Medium cockpit, Julian on yoke. Panel 52 (5s): Side angle, tail boom, float rising. Panel 53 (8s): Helicopter tilting. Panel 54 (5s): Above water, falling helicopter. Panel 55 (8s): Fire on water. Panel 56 (15s): Dawn sky, plane climbing. Panel 57 (14s): Medium cockpit, case on Elena's lap. Panel 58 (10s): Elena holding passports. Panel 59 (10s): Julian at yoke. Panel 60 (10s): Julian's wrist with Rolex. Panel 61 (15s): Plane over ocean. RIGHT SIDEBAR (about 22% of page width): character model sheets. For each character below, render 3-4 polished turnaround sketches — front view, three-quarter view, profile, and a dynamic action pose — each in the visual treatment described below. Character name set in crisp modern typography above each set: ДЖУЛИАН — Adult man, lean athletic build, tanned skin with visible pores and light stubble, swept-back dark blond hair, gold-tinted aviator sunglas... ЕЛЕНА — Glamorous woman, early 30s, heart-shaped face, tanned skin. Long platinum blonde hair, slicked back with crown volume. Blue eyes, dramati... ГЕКТОР — Adult man, heavy broad-shouldered build, weathered tanned skin, slicked-back black hair with grey at the temples, thick moustache. Black ... BOTTOM STRIP: a horizontal timeline ruler with seconds markings (0, 5, 10, 15… up to total duration), tick marks aligned to the panel durations above — clean vector look, not hand-drawn. Below the ruler, a tidy notes row: STORY / FLOW • ANIMATION • TIMING & RHYTHM • CAMERA — each with 2-3 short polished bullet points in crisp typography (you can invent plausible production notes from the story). VISUAL TREATMENT FOR PANELS AND CHARACTER LINEUP (THIS IS THE CRITICAL PART): polished pre-production concept render in the "1980-х" visual treatment — apply that style as the dominant aesthetic across every panel and character thumbnail consistently. Keep the studio mood-board feel: crisp typography, soft card shadows, no aged-paper or pencil-sketch look, no mixed styles. OVERALL STYLE: high-end studio mood-board page with the visual treatment above carried through every panel and every character render consistently. Clean modern typography, soft drop shadows on cards, occasional smooth-gradient accents in the margins (sparkles, stars, arrows). NO aged-paper look, NO hand-pencil sketches, NO mixed styles — every miniature on this page is rendered in the same single visual treatment described above. This is a polished pre-production concept page, finished enough to pitch in a studio review meeting.