Image - 2026-10-10 23:01

A polished studio concept art board — a single composite page that reads as a high-end pre-production pitch deck for an animated short. NOT a vintage pencil sketch, NOT a finished movie frame, but a polished concept page in the visual treatment described below. Layout: TOP HEADER (left): bold modern display typography for the title "Юра волков занижает ваз 2114 Формат: Короткая история.", with a small stylised glyph next to it (sparkle, comet, or motif matching the visual treatment). Below in smaller crisp print: "OPENING SEQUENCE • DRAFT • FELT / FABRIC". TOP HEADER (right): a tidy "CHARACTER LINEUP" sub-heading set in the same typography. CENTER GRID: 9 numbered storyboard panels in a 3-column grid. Each panel is a softly rounded card with a thin warm-grey border and a delicate drop shadow (studio pre-prod board look). Inside every panel: a finished miniature of the action — rendered in the visual treatment described below. Top-left of each panel a small bold numbered tab (01, 02, 03…) and bottom-right an "X.Xs" timing tab — both set in clean modern typography (NOT hand-lettering). Panels: Panel 01 (8s): Tight metal garage under a humming fluorescent tube. Exactly one black VAZ-2114 is raised on a red trolley jack on the car's right side. Yura in black backwards cap and oily ove... Panel 02 (7s): Same garage under the fluorescent light. Yura holds the slowing grinder in his left hand beside the cut spring, and the black VAZ-2114 stands raised on the red jack to the right. Panel 03 (5s): Garage under the fluorescent light. Yura stands at the red jack handle beside the lowered black VAZ-2114, whose sills sit almost on the concrete. Panel 04 (7s): Night street outside a closed metal garage door lit by orange sodium streetlamps; the door is fully shut and the asphalt in front is empty and wet. Panel 05 (7s): Night street under orange lamps. Exactly one black VAZ-2114 rolls toward a raised asphalt seam, and Yura is at the wheel with both hands on it. Panel 06 (8s): Night bridge lit by orange lamps, with expansion joints running across the road. Exactly one black VAZ-2114 drives onto it, and Yura is at the wheel with both hands on it. Panel 07 (8s): Night parking lot entrance under orange lamps with a steep stone curb. Exactly one black VAZ-2114 approaches it. Beyond, a ring of tuned cars and a crowd of adults stand with ph... Panel 08 (5s): Night parking lot. The black VAZ-2114 has just cleared the curb, with Yura at the wheel. A crowd of adults in a ring around tuned cars stands with phones up, watching. Panel 09 (7s): Night parking lot under orange lamps. Exactly one black VAZ-2114 is stopped in the centre of a ring of tuned cars, with Yura in the driver's seat and his left hand on the door h... RIGHT SIDEBAR (about 22% of page width): character model sheets. For each character below, render 3-4 polished turnaround sketches — front view, three-quarter view, profile, and a dynamic action pose — each in the visual treatment described below. Character name set in crisp modern typography above each set: ЮРА — Adult man, felt-fabric puppet style, lean wiry build, short dark stubble, sharp focused eyes, black baseball cap worn backwards, dark gre... BOTTOM STRIP: a horizontal timeline ruler with seconds markings (0, 5, 10, 15… up to total duration), tick marks aligned to the panel durations above — clean vector look, not hand-drawn. Below the ruler, a tidy notes row: STORY / FLOW • ANIMATION • TIMING & RHYTHM • CAMERA — each with 2-3 short polished bullet points in crisp typography (you can invent plausible production notes from the story). VISUAL TREATMENT FOR PANELS AND CHARACTER LINEUP (THIS IS THE CRITICAL PART): Handcrafted felt and fabric aesthetic, visible fibers, seams and stitching, soft textile surfaces, slightly fuzzy edges, cozy tactile miniature-world look. Apply this treatment as the dominant aesthetic across every panel and character thumbnail consistently, with no mixed styles. OVERALL STYLE: high-end studio mood-board page with the visual treatment above carried through every panel and every character render consistently. Clean modern typography, soft drop shadows on cards, occasional smooth-gradient accents in the margins (sparkles, stars, arrows). NO aged-paper look, NO hand-pencil sketches, NO mixed styles — every miniature on this page is rendered in the same single visual treatment described above. This is a polished pre-production concept page, finished enough to pitch in a studio review meeting.