Image - 2026-10-09 13:06

A traditional hand-drawn FILM STORYBOARD SHEET for scene 8: one page divided into a clean 3x3 grid of NINE separate rectangular panels, three rows of three, each panel a 9:16 rectangle with a thin ruled black border and a small hand-written panel number in its top-left corner from 1 to 9. Thin white gutters between panels. Off-white paper background with faint tooth. MEDIUM, STRICT: rough graphite pencil drawing only. Loose confident director's sketch, visible pencil strokes, hatching and smudged shading for shadow, some construction lines left in. Monochrome grey graphite, NO colour anywhere, NO paint, NO digital rendering, NO photorealism. It must look drawn by hand on paper in a few minutes per panel. No named characters — stage the action with anonymous figures. Divide the following 6-second scene into NINE consecutive story beats yourself, in strict chronological order, and draw one panel per beat. Vary the shot size between panels — do not draw nine versions of the same framing. THE SCENE: LANGUAGE: All dialogue is spoken aloud in Russian, word for word as written, natural for a native Russian speaker; every spoken word is Russian. ⭐ BINDING INSTRUCTIONS — read these first and obey them in every shot SPEECH (strict): the ONLY spoken lines, aloud in Russian, word for word, in this order, each in its speaker's own voice; heard, never shown as text. 1. АЛИНА (in frame, lip-sync): "Но ты... Ты не ушёл." END BINDING INSTRUCTIONS NON-NEGOTIABLE SCENE CONTRACT: - The setting and rendering register stay exactly as established: Cinematic Realistic: photorealistic live-action, shallow depth of field, dramatic lighting, film grain. - Acting in this shot: АЛИНА. - Not present in this shot, do not depict them: МАКСИМ, АЛИНА — СТУДЕНТКА. DIALOGUE: @АЛИНА, 0:01-0:03, medium-soft low clear voice, slightly husky, clearly audible, eyes fixed forward on the dark hall: "Но ты... Ты не ушёл." The only line in the clip. Her mouth moves only in shot 1. CAST: @АЛИНА, an adult woman with an oval face and fair freckled skin. Messy damp brown hair is tied back, with loose strands at her temples. Hazel eyes, slender build, a small silver earring. She wears a simple black floor-length dress with matte fabric and visible weave. Everyone on screen is an adult. She is the only person in the clip. PLACE AND LIGHT: a restrained old theatre. The stage boards are worn and the edge has scuffs. There is no gilding and no ornament. One warm spotlight falls on her from the upper left, so the right side of her face sits in soft shadow. The hall beyond is dark, with rows of seats barely visible as faint shapes. All light comes from the theatre's own lamp. The first shot is bright enough on her face for the line to read. OPENING (0:00): close-up of @АЛИНА at the stage edge. Her hands hang at her sides and her eyes are fixed on the dark hall. Her lips are closed and her breath is visible at her collarbone. Skin texture shows pores and freckles in the warm light. SHOT 1, 0-3s, close-up, steady level camera with a gentle push-in. 0:01 her lips part. 0:01-0:03 @АЛИНА says the line, her gaze locked forward on the dark hall and her hands still at her sides. SHOT 2, 3-6s, hard cut to an extreme close-up of her eyes, static level camera. 0:03 her hazel eyes are wet and steady under the spotlight, and the loose strands of hair stir slightly. 0:04-0:06 her lids lower in a natural continuous movement, and the frame cuts to black during the motion before her eyes are fully closed. SOUND: her voice, a soft breath, the faint creak of stage boards and the low hum of the spotlight. Normal real-time speed throughout. CONTRACT: 6 s, 2 shots, one line, one person (@АЛИНА). One hard cut at 0:03. The clip ends on the moving eyelids. Draw camera arrows and simple motion lines in pencil where movement matters, and keep every panel's staging consistent with the one before it — this sheet is a shooting plan, so a person standing screen-left in one panel stays screen-left in the next unless the action moves them. NO text or captions anywhere except the small panel numbers 1 to 9. No title block, no handwriting in the margins, no speech bubbles, no subtitles, no watermark, no logo.