Vertical 9:16, semi-realistic, semi-cartoon cinematic style, same established visual style as the previous scenes. Slightly stylized expressive faces, realistic skin, clothing, car interior and environment textures. Not fully photorealistic, not Pixar, not anime. Daytime. Kemal and Edil are driving in a modern dark-colored car toward Samira’s house. Medium cinematic two-shot from inside the car, camera positioned slightly in front of them near the dashboard, at natural eye level, so both characters’ faces are clearly visible. Kemal is driving. He looks tense, serious and emotionally preoccupied, eyes mostly on the road. His body language shows that he is still upset after what happened with Samira. Edil sits in the front passenger seat. He looks at Kemal with a slightly concerned, cautious expression, as if he understands that his friend is not completely calm. Kemal keeps both hands naturally near the steering wheel, posture tense. Edil sits relaxed but attentive. Through the windows, a pleasant residential neighborhood with greenery and elegant houses is visible. They are approaching Samira’s area. Soft neutral daylight, no harsh sun, natural cinematic lighting, shallow depth of field. Mood: quiet tension before the next confrontation. Natural body language, no exaggerated expressions, no posing. IMPORTANT: exactly two men in the car. Kemal driving, Edil in the passenger seat. No extra passengers. No text on screen.
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