Hand-drawn 2D cinematic animation in Klaus (2019) style: painterly forms, volumetric painted ligh...

Hand-drawn 2D cinematic animation in Klaus (2019) style: painterly forms, volumetric painted lighting, soft illustrated shadows, textured brushwork. No 3D, no glossy CGI, no plastic shading. View from inside a biplane through a riveted window frame with scratched glass. Aircraft flies steadily forward over frozen polar sea. Below, ice floes and dark water drift backward past window, creating parallax. A tiny camp with chimney smoke sits on ice in middle distance. Heavy snowfall streaks diagonally, denser near, softer far. Low sun ahead shines into lens, casting strong painted flares — warm rays, halos, soft glowing circles — across frame and glass. Camera performs very slow, calm pan inside cabin: drifts slightly left, then slowly right, surveying landscape through window. No zoom, no rotation, no sudden movement. Window frame, rivets, scratches stay rigid in foreground. Subtle 2D multiplane parallax: window frame and scratched glass nearest plane fixed; ice floes and water move at medium speed; distant horizon and sky slowest. Soft painterly transitions. No hard digital gradients, no plastic 3D, no squash-and-stretch, no anime motion, no rubbery deformation. CAMERA SPECIFICATION Hand-drawn 2D multiplane parallax. Very slow lateral pan inside cabin. No zoom, no rotation. PHYSICAL MOTION Aircraft flies forward; ice and water drift backward past window; snow falls diagonally; chimney smoke rises; painted lens flares shift gently with camera pan; scratched glass fixed. CONTINUITY LOCK Window frame, rivets, scratches, ice floes, open water, camp, chimney smoke, horizon, clouds, sun — all rigid. Only forward flight, backward drift of terrain, falling snow, rising smoke, light flares, parallax, slow lateral pan allowed. REALISM CONSTRAINTS No morphing, no added elements, no 3D shading, no glossy CGI, no squash-and-stretch, no anime motion, no rubbery deformation, no sudden camera movement. Strictly hand-drawn painterly 2D in Klaus (2019) style.