Early-2000s consumer Handycam aesthetic: small CCD sensor, deep depth of field, slightly soft dig...

Early-2000s consumer Handycam aesthetic: small CCD sensor, deep depth of field, slightly soft digital detail, modest electronic sharpening, slightly saturated consumer colors, limited dynamic range, realistic automatic exposure, subtle low-light noise, occasional autofocus hunting, casual handheld movement, imperfect amateur framing, raw unpolished digital-video texture, no cinematic color grading. Camera not visible, no text, no logos, no UI. Extremely slow, continuous forward handheld dolly across the outdoor terrace shown in the reference. Camera at ~1.5m height with gentle micro-shake. No acceleration, no sudden stops, no lateral drift. The camera moves slowly forward from the left side of the deck toward the dining table and sofa, with a very slight, natural pan to survey the space. The entire scene — wooden deck, dining table, woven chairs, cushions, bowls, sofa, glass railing, planters, modern house structure, overhang, windows, LED strip, trees, sky, and all shadows — must remain completely rigid and locked in exact 3D positions. No morphing, no moving objects, no added elements, no changing shadows, no texture swimming, no gimbal smoothness, no CGI, no rendering. Only raw Handycam look and extremely slow forward camera movement with a subtle survey pan. CAMERA SPECIFICATION Early-2000s consumer Handycam, small CCD sensor, deep depth of field. Auto exposure, autofocus with occasional hunting. Handheld, no gimbal. Height ~1.5m. No zoom. PHYSICAL MOTION Extremely slow, continuous forward handheld dolly with gentle micro-shake. Very slight natural pan to survey. No acceleration, no stops, no lateral drift. Imperfect amateur framing. CONTINUITY LOCK Everything frozen: deck, table, chairs, cushions, bowls, sofa, railing, planters, house, overhang, windows, LED strip, trees, sky, shadows. Only extremely slow forward camera movement and slight survey pan are allowed. REALISM CONSTRAINTS No morphing, no moving objects, no added elements, no changing shadows, no texture swimming, no gimbal smoothness, no cinematic color grading, no CGI, no rendering, no UI, no text, no logos. Only raw Handycam footage, an extremely slow forward dolly, and a subtle natural survey pan.