Art style: Motion Comic. Full-length view, the entire figure visible from head to feet, standing upright, figure centered while a dim wood-paneled study with rain-streaked windows fills the sides. Dan is a man in his early thirties, the twin brother of Diana — sharing her sharp cheekbones, straight nose and pale complexion, but with a squarer jaw and short, tousled dark-brown hair swept back, faint stubble along his jawline. He has watchful grey-green eyes that carry quiet guilt and unspoken love. Lean, athletic build of average height. He wears a charcoal open-collar shirt beneath a fitted dark navy blazer, slim graphite trousers, and polished black leather brogues. One hand rests in his pocket, the other holding a folded old photograph. His expression is guarded, tense, faintly sorrowful. No visible text. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image in the following art style: modern semi-realistic digital comic / motion-comic illustration — bold sketchy crosshatched linework especially around large expressive eyes, soft cel shading with painterly gradients, cinematic lighting contrast (warm-to-cool twilight glow against cosy teal-and-amber interiors), mostly static illustrated panels animated with subtle cinemagraph motion: gentle hair drift, slow blinking, soft breathing, slight parallax between foreground and background, slow camera pans and zooms rather than full frame-by-frame animation. Every surface, skin, fabric, material, and environmental element must be rendered in this idiom.
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