Use the input image as the exact starting frame. Preserve the boy's identity, facial features, gr...
Use the input image as the exact starting frame. Preserve the boy's identity, facial features, green football jersey, body proportions, stadium environment, lighting, colors and photographic realism. The shot feels like raw handheld footage filmed by another supporter standing very close to the boy. The camera is noticeably shaky throughout: continuous natural handheld shake, small vertical and horizontal bumps, slight imperfect reframing and quick micro-corrections as the person filming reacts to the celebration. No stabilization. MAIN ACTION: The boy is extremely excited by what is happening on the football field. He cheers loudly and continuously with genuine explosive joy, shouting toward the pitch with his mouth open. He clenches both fists, pumps them energetically near his chest, briefly throws his arms upward, leans forward and slightly backward with excitement, then continues cheering and shouting. His shoulders, torso and head move naturally together with the force of his celebration. His movements are energetic, spontaneous and slightly chaotic, like a child reacting to an important moment in a live football match. Keep his facial animation natural and anatomically consistent. His expression dynamically changes while shouting: eyes react to the action, eyebrows move, cheeks tense, jaw and mouth move naturally with each yell. Preserve his facial identity throughout. Natural breathing and realistic body momentum between gestures. BACKGROUND ACTION: The supporters behind him erupt in celebration at the same moment. They shout, cheer, clap, pump their fists, raise their arms and lean toward the field. Some briefly stand or move forward in their seats. Their reactions are energetic but varied and asynchronous, like a real crowd responding spontaneously to the match. Nobody looks deliberately into the camera. CAMERA: strong authentic handheld shake throughout, reacting to the energy of the celebration. The framing stays primarily on the boy in close-up but drifts slightly as he moves, requiring small imperfect corrections from the camera operator. Add realistic motion blur during his fastest gestures and during stronger camera bumps. No zoom, no orbit, no dolly movement. Keep the entire stadium alive behind him with continuous subtle movement and crowd activity. Maintain the original shallow depth of field, natural stadium lighting, realistic exposure and documentary sports-footage appearance. No facial morphing, no identity change, no distorte
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