Image - 2026-09-18 16:14

A traditional hand-drawn FILM STORYBOARD SHEET for scene 2: one page divided into a clean 3x3 grid of NINE separate rectangular panels, three rows of three, each panel a 16:9 rectangle with a thin ruled black border and a small hand-written panel number in its top-left corner from 1 to 9. Thin white gutters between panels. Off-white paper background with faint tooth. MEDIUM, STRICT: rough graphite pencil drawing only. Loose confident director's sketch, visible pencil strokes, hatching and smudged shading for shadow, some construction lines left in. Monochrome grey graphite, NO colour anywhere, NO paint, NO digital rendering, NO photorealism. It must look drawn by hand on paper in a few minutes per panel. No named characters — stage the action with anonymous figures. Divide the following 6-second scene into NINE consecutive story beats yourself, in strict chronological order, and draw one panel per beat. Vary the shot size between panels — do not draw nine versions of the same framing. THE SCENE: WORLD LOCK: Re-establishing physical anchors: granite kitchen island (Anchor 1), glass pie dish with golden apple pie (Anchor 2), porcelain sink by the window (Anchor 3), and cream shaker cabinets (Anchor 4). Margot Dale (Character 0) begins standing behind Anchor 1 in center frame, depth midground. AXIS LOCK: Action axis follows the counter edge. Camera remains strictly on the living-room side of the kitchen island. Margot faces screen-right; camera remains front-left. SHOT LIST: [T=0.0-3.0s] SHOT 1 — WS — 28mm. CAMERA: High angle looking down at the kitchen counter island. MOVE: Slow, steady handheld dolly-in descending toward eye level. ACTION: Margot stands behind the counter, using both index fingers to nudge the glass dish (Anchor 2) precisely one inch to the right, aligning it perfectly with the stone seam. She pauses, steps back half an inch, inspects it with a slight nod of approval. EYELINE: Margot looks screen-right down at the pie edge. HARD CUT at T=3.0s. [T=3.0-6.0s] SHOT 2 — ECU — 100mm macro. CAMERA: Eye level, extreme close-up side-on at the rim of the glass dish. MOVE: Handheld micro-drift with sharp rack focus from the golden bubbled crust to Margot's manicured fingers grasping the glass handles. ACTION: Margot's hands enter from screen-left, her fingers wrapping securely around the clear glass handles of the hot dish with a padded floral pot holder, lifting the pie upward out of the lower frame. EYELINE: Hands execute the motion with calculated precision. END FRAME: The empty, spotless polished granite surface reflecting the bright window light as the pie is lifted clear away. RELATIONS ARE PHYSICAL: Margot physically calibrates and then lifts the domestic object, transforming the static kitchen into active departure. INFORMATION CHANGED: The freshly baked pie is picked up and removed from the kitchen counter, ready for transport. SILENCE: Soft glass clink against granite, the faint ticking of a kitchen wall clock, quiet intake of breath. SPOKEN LINE — AUTHORITATIVE, overrides any line quoted earlier in this prompt: The only words spoken, in English, verbatim: МАРГО: "У меня, конечно, всё идеально. Спросите любого." Any other quoted line above is outdated — do not speak it, in any language. Draw camera arrows and simple motion lines in pencil where movement matters, and keep every panel's staging consistent with the one before it — this sheet is a shooting plan, so a person standing screen-left in one panel stays screen-left in the next unless the action moves them. NO text or captions anywhere except the small panel numbers 1 to 9. No title block, no handwriting in the margins, no speech bubbles, no subtitles, no watermark, no logo.