Image - 2026-09-08 17:29

A traditional hand-drawn FILM STORYBOARD SHEET for scene 11: one page divided into a clean 3x3 grid of NINE separate rectangular panels, three rows of three, each panel a 9:16 rectangle with a thin ruled black border and a small hand-written panel number in its top-left corner from 1 to 9. Thin white gutters between panels. Off-white paper background with faint tooth. MEDIUM, STRICT: rough graphite pencil drawing only. Loose confident director's sketch, visible pencil strokes, hatching and smudged shading for shadow, some construction lines left in. Monochrome grey graphite, NO colour anywhere, NO paint, NO digital rendering, NO photorealism. It must look drawn by hand on paper in a few minutes per panel. No named characters — stage the action with anonymous figures. This scene is already cut into 3 shots. Draw NINE panels covering them in strict chronological order, distributing the panels across the shots in proportion to each shot's length: a long shot gets several panels showing how it develops, a short one gets a single panel. Every panel must respect the camera position and framing written in its shot — that is the staging, not a suggestion. Where a shot says the camera is on one side of the action, do not draw it from the other side. SHOT 1 [0.0-4.0s]: SHOT 1 — CU — 65mm, eye level. CAMERA: ahead of Lulu, eye level, tight on her face. MOVE: STATIC with the faintest handheld breath. ACTION: Lulu, facing SCREEN-RIGHT toward Mia, hears the friendship question land — her expression shifts from thoughtful to dawning wonder, eyes widening, ears beginning to lift, the meaning of the word blooming across her face. EYELINE: Lulu, SCREEN-RIGHT and up, toward Mia. SHOT 2 [4.0-7.5s]: SHOT 2 — MCU — 50mm, eye level. CAMERA: ahead, eye level, a touch wider to show Lulu's lifting paws and Mia's warm blur at screen-right. MOVE: STATIC. ACTION: Lulu's whole face bursts open like sunrise — eyes shining, mouth wide in a delighted cry, paws flying up — as she joyfully exclaims «Друг! Ура!», the word landing like a discovery and a gift; her tail flicks up, her body bounces. EYELINE: Lulu, SCREEN-RIGHT at Mia, radiant. SHOT 3 [7.5-11.0s]: SHOT 3 — MS — 35mm, LOW ANGLE. CAMERA: ahead of Lulu, LOW near the parquet, tilted gently UP so Lulu towers small-but-triumphant against the bright doorway sky-light, Mia's warm presence at screen-right. MOVE: gentle crane/TILT UP settling into the low-angle medium, then STATIC. ACTION: Lulu, facing SCREEN-RIGHT, springs up onto her toes with paws thrown wide in a joyful little leap of celebration, glowing with the new bond; Mia, screen-right, leans in warmly toward her new friend. EYELINE: Lulu SCREEN-RIGHT at Mia; Mia SCREEN-LEFT at Lulu. — ENVIRONMENTAL DYNAMICS: soft pollen sparkles in the warm daylight; the golden bounce brightens across Lulu's face as her joy peaks; the sunny pastel yard glows blurred behind; rim light strengthens along Lulu's fur as the camera cranes low and up. EMOTIONAL BEAT: the irreversible turning point — loneliness dissolving into radiant, explosive joy as friendship is born. DIALOGUE: Lulu — «Друг! Ура!»; the line is carried on visible action — the dawning wonder, the sunrise face-burst with flying paws, and the celebratory leap. Draw camera arrows and simple motion lines in pencil where movement matters, and keep every panel's staging consistent with the one before it — this sheet is a shooting plan, so a person standing screen-left in one panel stays screen-left in the next unless the action moves them. NO text or captions anywhere except the small panel numbers 1 to 9. No title block, no handwriting in the margins, no speech bubbles, no subtitles, no watermark, no logo.