Art style: Cinematic Realistic. Full-length view, the entire figure visible from head to feet, standing upright and centered on a windswept mountain ridge where a half-built section of the Great Wall snakes into the distance. Master Mason Zhang is a weathered Han Chinese man in his early fifties, tanned sun-darkened skin, broad calloused hands, a stocky powerful build hardened by decades of labor. Deep-set dark eyes, strong jaw, a short grizzled black-and-grey beard, and greying hair pulled into a topknot beneath a simple cloth headband. He wears a coarse hemp knee-length tunic dyed dusty ochre, cinched with a wide leather belt holding an iron plumb-bob, chisel and measuring cord, sleeves rolled to the forearms, cloth leg-wraps, and worn straw sandals. One hand rests on a squared granite block; a rolled bamboo plan tucked under his arm. Grave, resolute expression. Grey stone, dust and distant watchtowers surround him. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image entirely in "Cinematic Realistic" style. Match the lighting grammar, material response, colour science, level of realism / stylisation, line weight, and shading model typical of "Cinematic Realistic". Keep the subject, composition, camera angle, lighting direction, and colour palette from the description above — but EVERY surface, skin, fabric, material, and environmental element must be rendered in the "Cinematic Realistic" idiom, not in any other medium.
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