Image - 2026-08-19 11:10

IMAGE 1 is the base frame. Everything about its content is FINAL and must be preserved exactly: the room, the wallpaper, the herringbone parquet floor, the dark wooden dresser, the window on the left, the open bottom drawer, the folded cloth, the stack of old photographs, the amber glass perfume bottle with its brown leather band and gold cap, the teal drawer lining, the bentwood chair, the bed on the right, the woman, her kneeling pose, her hands on the drawer edge, her hair falling forward, her sweater and jeans, the camera angle, the framing and the composition. Do not move, add, remove or redraw anything. IMAGE 2 is a COLOR GRADE reference ONLY. Take from it exclusively: the shadow hue and how cool or warm the shadows sit, the highlight hue and warmth, the overall contrast curve, how lifted or crushed the blacks are, the saturation level, the skin tone rendering, the haze and halation behavior, and the film grain character. IGNORE everything else about IMAGE 2 — its subject, its people, its objects, its location, its time of day, its composition, its camera angle and its framing must NOT influence the output in any way. Do not copy any element from IMAGE 2 into the scene. TASK: Re-grade IMAGE 1 so that its color, contrast and film character match IMAGE 2 as closely as possible, as if both frames were shot on the same camera and graded in the same session for the same film. The result must be pixel-identical to IMAGE 1 in content and geometry, differing only in color, tone and light response. Match specifically: - the exact hue and depth of the shadows from IMAGE 2, applied uniformly across every shadow area of IMAGE 1 — the dark side of the dresser, the corner behind it, the shadowed floor, the wall, the shadow under her body. One single consistent shadow color across the whole frame, no split toning, no half-warm half-cool division. - the highlight warmth of IMAGE 2 in the sunlit areas — the light beam on the parquet, the rim on her hair and shoulder, the window sill. - the black level of IMAGE 2 — do not crush the shadows, keep the wood grain of the dresser readable. - the saturation level and skin tone rendering of IMAGE 2. - the grain size and halation strength of IMAGE 2. Keep the single light source from the window on the left. Keep the dust visible in the light beam. Keep the aspect ratio and resolution of IMAGE 1.