Spider-Man: Use all uploaded face photos as the primary identity reference for the character. Ma...

Spider-Man: Use all uploaded face photos as the primary identity reference for the character. Maintain the face, hair, skin tone, height, body proportions, and facial expression with 100% consistency throughout the entire video. Use the uploaded hoodie image as the primary clothing reference and preserve its design identically, including the green-red color combination, hood, zipper, pockets, stitching, fabric texture, and every visual detail. The character wears a white T-shirt, green cargo pants, and white sneakers as shown in the reference. Do not use a superhero costume or mask. The character is simply an ordinary young man who has realistic mechanical web shooters on both wrists. Live-action Hollywood blockbuster, IMAX cinematography, photorealistic, HDR, physically accurate lighting, volumetric lighting, cinematic color grading, realistic cloth simulation, realistic motion blur, shallow depth of field, hyper-realistic, masterpiece, ultra-detailed, 8K. The entire video must feel like one continuous shot. All camera transitions must happen naturally by following the character’s movement, with no hard cuts or jump cuts. The video begins inside a small New York apartment during golden hour. The room feels lived-in, with a bed, study desk, laptop, bookshelf, comic book posters, headphones, clothes scattered across the floor, and a large window overlooking the Manhattan skyline. Medium-wide shot. The character is sitting exactly in the center of the window ledge with both legs hanging outside. He remains seated and does not stand or change position. The evening breeze naturally moves his hoodie and hair. The camera slowly performs a dolly-in toward his face. The character turns toward the camera and casually says: “Alright… let’s do this one more time.” Immediately after finishing the line, he drops his body backward over the window ledge in one smooth motion without any hesitation or running start. The camera follows his body using a full-body third-person shot during the free fall between Manhattan’s skyscrapers while slowly orbiting around him. The hoodie flutters realistically in the wind. Just before reaching the street, the character instinctively raises both hands. The web shooters activate. Metallic mechanisms move, followed by web lines shooting out and attaching to distant buildings. Without a cut, the camera is pulled along with the first swing and naturally transitions into a first-person POV. POV is used throughout the entire swing t